Split 7" (Single, 2023)
Self Release
Despite being a newish band (and definitely new to
me), and having a not-that-great name, Moron
Butler are very impressive; playing a type of
claustrophobic post-punk that used to be described as
'angular' - think Wire/ Gang of Four with a dash of (whisper
it) poetry in the lyrics. They seem to share core members
with The Long Knives, and so sound similar, but slightly
less musically direct.
Play That Dead Band's Song is a tightly
wound, densely worded dissection of the events that led up
to (and resulted from) the Black Lives Matter movement - and
how little has changed - with fantastic leaps of logic, and
phrasing - "In the twenties it was ropes and trees/ Now
in the twenties it's necks and knees." – referencing
Fred Hampson, John Cassavettes and (possibly) Kent State.
A Farewell To Arms is a less complex, but
nonetheless heartfelt attack on militarism, which avoids the
cliches of the 'War is bad' genre by virtue of its lyrical
brevity. I could have done without the saxophone, but that
just me.
Girls Like Us
first offer up Song of the Wytches, which is more of
a straight ahead punk rock proposition, and none the worse
for it. Based loosely on the witches speech from Macbeth,
it deals with the fatal consequences of misogyny ("You
watched those witches burn"). There’s a good grasp of
dynamics on display and they know a tune when they hear it,
so it's by no means a rama-lama three chord thrash, but Spoonfed
is more musically adventurous, dropping the tempo and
leaving space for swathes of feedback (always a good thing).
Although it's an angry attack on privilege ("We all know the law/ Only applies to the poor"), there’s space to express vulnerability ("I spilt too much/ Drank too much wine"), so it isn't just an exercise in finger pointing. 8/10
Nick Hydra (January 2024)
https://moronbutler.bandcamp.com/
https://girlslikeus.bandcamp.com/
| INDEX | NEW? | MUSIC | GIGS | INTERVIEWS | VIDEOS | FEEDBACK | LINKS | ©-DSO |